![]() This scene reminds one of Franz Kafka's The Trial there, the main character is punished for a crime and is never able to discover what his crime was and feels increasingly more guilty by asking what he is accused of.Īfter the two convince each other that they are happy, they then settle down to wait for Godot, and the basic refrain of the drama reemerges: the two tramps can do nothing but wait. If Estragon was beaten, it was because he was guilty of doing something wrong and, had Vladimir been with Estragon, he would have stopped him from doing whatever it was that caused Estragon to get a beating. Vladimir assumes a traditional philosophical position, a position that goes back to the writer of the Book of Job in the Old Testament. ![]() But then, if Vladimir had been with Estragon, he would not have let the people beat Estragon. ![]() The urinary trouble that he had in the first act did not force him to get up during the night and, therefore, he enjoyed a complete night's sleep. He is happy because he slept all night long. We now discover part of the reason for Vladimir's singing. Vladimir can only respond that "one is not master of one's moods." Vladimir's remarks characterize the actions of the first act - especially where it was evident that the two tramps were not in control of their lives, that they were unable to determine what was going to happen to them. However, Estragon immediately reminds Vladimir that he was singing all the while that he (Estragon) was being beaten. Consequently, the second act begins on a note of death, but one that is doubly ominous.Īfter a moment, the two tramps are reconciled and embrace each other, pretending that all is right between them. Thus, the dog in the doggerel was beaten to death, and now we hear that Estragon is suffering from a beating. Again, as in Act I, Vladimir wonders where Estragon spent the night and discovers that Estragon has again been beaten. The repetition of the doggerel is typical of the repetition of the entire drama, and the condition of the dog in the doggerel is similar to the condition of the two tramps. As in Act I, Estragon is alone and Vladimir enters, singing some repetitious doggerel about a dog which was beaten to death because he stole a crust of bread. The second act begins almost exactly as the first act did - with one exception: there are now four or five leaves on the once barren tree.
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